Thursday, August 11, 2011

Photos Friends Have Shared

I wanted to create a post of photos from friends who have begun to share their personal photos of carousels with me from their collection of jpg's. I am very interested in how people photograph/see carousels, so if you have a photo or two from your travel collection, send them through to me!

Photo Pip Heale, Paris, Sacre Coeur

Photo Pip Heale, Paris, Sacre Coeur

Photo Pip Heale, Paris, Sacre Coeur

Photo Pip Heale, Paris, Sacre Coeur


Photo Pip Heale, Paris, Sacre Coeur

Photo Pip Heale, Paris, Sacre Coeur

Photo Anett Schnider, France

Photo Gennady Revzin, New York

Photo Gennady Revzin, New York

Photo glo Hawa, Los Angeles

Monday, August 8, 2011

Gertrude Street Projection Festival


This little snippet was sent to me the day I started this blog by a friend back home in Melbourne, Australia who knew I was doing research on carousels but had not yet been told of my blog endeavor (thanks Sam for sharing!). It is documentation of a carousel projected onto a building that was part of The Gertrude Street Projection Festival which has been running annually for a few years with a different theme every year. This years theme was Hidden: Places And Spaces.  The artist who created the work is Olaf Meyer, a Melbourne based interactive multimedia installation artist.  You can see more of the projections from this years festival  here, which also features the carousel at the beginning.

misspenpen.blogspot.com

One of the many strange things in life that I love is when you are obsessed with something and then all of a sudden you see that thing everywhere! For example, when you are shopping for a new car. You find a model that you love and before you know it, it seems every single car driving by you is that exact same model and colour! This is happening with the carousel for me and now it's happening for my friends too! I've been sent links, photos, books to read and memories by my friends regarding the carousel. I love how almost everyone has some carousel story to share. Feel free to email me, or simply post below in the comments box if you want to bring my attention to your carousel encounter.

Thursday, August 4, 2011

Nostalgia, Mad Men and Applications

What a great response I had yesterday launching my blog! Thank you all for the kind words of support on Facebook. I'm very excited about this blog and it seems that many of you are too. That's a very nice feeling indeed ;0) Please feel free to comment here instead of Facebook so conversations may be encouraged and make sure to fill out the box on the right to receive updated posts straight to your email inbox. And lastly, thanks to my friend Gennady Revzin who sent me two amazing photos, of which one I have used below.

Today I decided to write down what Don Draper said in that Mad Men episode I last posted, with the idea to ponder over the written word. Here is the transcript;

lenasbeat.wordpress.com

"Technology is a glittering lure. That said, there is the rare occasion when the public can be engaged on a level beyond flash; if they have a sentimental bond with the product.

My first job; I was in-house at a fur company with this old pro copywriter; Greek, named Teddy. Now Teddy told me the most important idea in advertising is ‘new’. Creates an itch. You simply put your product in there as a kind of calamine lotion.

He also talked about a deeper bond with the product. Nostalgia. It’s delicate...but potent.

Teddy told me that in Greek ‘nostaglia’ literally means the pain from an old wound. It’s a twinge in your heart far more powerful than memory alone. This device isn’t a spaceship. It’s a time machine. It goes backwards, forwards. It takes us to a place where we ache to go again. It’s not called the wheel. It’s called the carousel.

Let’s just travel the way a child travels. Round and round and back home again, to a place where we know we’re loved."  Don Draper, Mad Men

Recently, I have been applying for all sorts of exhibition and grant opportunities using my research project on carousels as a source of inspiration for the projects I'm proposing. After transcribing this scene, I realised I had a very similar theme coming through my applications as to why I am focusing on the carousel. Here is some of what I have been writing lately;

Photo courtesy Gennady Revzin

"I am currently embarking on a yearlong research project to influence a new direction within my artistic practice by contemplating the craftsmanship, imagery, sounds and personal experience of the historic carousel. 

The image or idea of the carousel is surrounded by nostalgia and sends us straight back to childhood. The music, colours, lighting and general aesthetic is ingrained in our memories and gives us a sense of familiarity. The experience of the carousel is very much felt. We feel the wind against our cheeks, we see the blurring of the lights and colours as the carousel goes around and around and we are conscious of being looked upon by our parents, friends or passer-bys. In other words, we become part of the carousel experience.

It is this feeling of being gazed upon, the feeling of becoming a part of something outside of the body, surrounded by a childlike atmosphere that I aim to capture with these projects. By using and being inspired by the universal childhood imagery of the carousel, I hope to transport the viewer into a feminine perspective of beauty, attraction and sexuality constructed in what appears to be a never ending action of turning through materials such as video, sculpture and the direction the audience physically moves around the exhibition space."

The one thing I am very much enjoying so far about my electronic visual diary is that I am able to make sense of all these pieces I have been carrying around. Now, I can read my statement next to the transcript from Mad Men and really see why it is that short clip my friend posted on Facebook really stood out for me.

Wednesday, July 27, 2011

Where it all started

Last year, while I was in San Francisco on a three month artist in residence program, a friend back home posted the clip below on Facebook. At that stage, I hadn't actually seen an episode of Mad Men, even though friends of mine who were hooked, said I should. Having since binged on four seasons, I now understand the tone of the main character's speech and why he presents himself in such a reflective and thoughtful manner. But aside from that, I wasn't really into carousels either. Pretty crazy how sometimes, something speaks to you from a place that seems out of no where, taps you on the shoulder and asks you to take note.



So with a bit of a lull in my visual arts practice (no ideas, nothing really inspiring me), I decided to head down to the carousel in San Francisco with my camera to see what might happen. The end result was a site specific work that seemed to be more loaded than I could have imagined. Below is a picture of the work within the site it was installed.


Untitled (Carousel), 2010

Without a beginning or an ending, the looped video projected on the wall is made up of three separate videos that I sliced up, frame by frame and then put all back together again. The effect is similar to an animation and is purposefully difficult to watch due of it's flickering. The television sitting on the ground faces an ornate mirror, forcing the viewer into a position of voyeur and authoritarian at the same time. The video is a close up of a woman applying lipstick. The footage is reversed so she is seen in a never ending loop of applying lipstick and then removing it, only to apply it again. Round and round. The only way to view the video is by standing behind the television and looking 'over it's shoulder' into the mirror; thus the voyeur. By placing the television on the ground, the viewer must look down upon the video and is made to feel like a giant through the perspective of size and space; thus the authoritarian.

I have put these two videos together below so you may get a better idea of the experience of the work. It is not intended to be viewed like this so I have only given you a 40 second preview. I'm apologizing for the bad quality. I'm still learning how to reduce file size on videos and am having a hell of a time!




This 'knee jerk reaction' (that's what I like to call it!) artwork to the Mad Men episode has sparked something deeper for me. I had the feeling that there was something more to my first viewing of that Mad Men scene, and I wasn't completely satisfied with the one result I created with the work above. In April this year, I decided to revisit this work and go deeper into ideas surrounding the carousel, beginning a yearlong research project on the subject. This is why I have begun this blog. It will work as an electronic visual diary of things I have seen, been inspired by or created over the next 12 months or so, relating to the carousel. I will post films, literature, art and anything else that uses the carousel, discussing the underlying themes within them. Sometimes I will get all art speak, other times it will be pure fluff. Just depends on how the cookie crumbles.

I have no idea of the direction this blog will take. All I know is that it will be a space for me to collect and compile material relating to my research project and share it with you, the reader.

Feel free to comment, post suggestions or links to anything of carousel interest.